19th Century

William Frederik De Haas (1830-1880)

View of Staten Island

signed W.F. De Haas and dated 56, lower left

oil on canvas

18 x 24 inches

George Inness (1825-1894)

Landscape with Shepherd and Sheep

oil on canvas

16 x 22 inches

Thomas Worthington Whittredge (1820-1910)

Sunlit Wood Scene

signed W. Whittredge, lower right

oil on canvas

15 x 17 inches

George Lafayette Clough (1824-1901)

Morning Mist, Adirondacks

signed G.L. Clough, lower left;

dated May 1877 and inscribed with title on the stretcher

oil on canvas

18 x 14 inches

George Henry Durrie (1820-1863)

Winter Scene, circa 1853-1857

oil on canvas

4 x 6 inches

John George Brown (1831-1913)

He Won’t Bite

signed JG Brown NA, dated 1909;

inscribed copyright, lower left

oil on canvas

24 x 17 inches

Xanthus Smith (1839-1929)

The Close of the Engagement Between the U.S.S. "Kearsarge"

and the Confed. Cruiser the "Alabama", June 19, 1864, Off Cherbourg, The Alabama Sinking

signed Xanthus Smith and inscribed with title and painted by on the reverse

oil on canvas

35 x 55 inches

Marshall Johnson, Jr. (1850-1921)

A Brisk Day at Sea

signed Marshall Johnson Jr and dated 82, lower left

oil on canvas

15 x 25 inches

Jervis McEntee (1828-1891)

Roman Aqueduct (Claudian Aqueduct), circa 1868-69

oil on canvas

12 x 20 inches

Sanford Robinson Gifford (1823–1880)

Lake Champlain, 1860

signed S.R. Gifford and dated 1860, lower left

oil on canvas

5 ¼ x 9 ½ inches

Jervis McEntee (1828-1891)

Fall Landscape with Lake, 1874

signed with conjoined initials JMcE and dated 1874, lower right

oil on canvas

16 x 27 inches

Maurice Brazil Prendergast (1859-1924)

After School, circa 1895-97

inscribed with initials M/B/P in plate, lower right

monotype on paper

6 ½ x 9 inches (sight)

James Edward Buttersworth (1817-1894)

Yacht Race in High Seas

inscribed with title on the reverse

oil on board

8 x 12 inches

Rembrandt Peale (1778-1860)

The Canadian Side of Niagara Falls, circa 1831

signed Rembrandt Peale and inscribed Niagara Falls

from the Canadian side joining the platform on the reverse before lining

oil on canvas

18 ¼ x 21 ¼ inches

Hugh Bolton Jones (1848-1927)

An Evening Sunset, 1897

signed H. B. Jones and dated 1897, lower right

oil on canvas

35 ½ x 24 inches

Walter Gay (1856-1937)

Edith Wharton's Bedroom at Pavilion Colombe, 1926

inscribed to Edith Wharton, signed Walter Gay, and dated 1926, lower left

oil on canvas

18 1/3 x 27 1/8 inches

Lilly Martin Spencer (1822-1902)

The 4th of July

signed Lily M. Spencer and dated 1856, lower left

oil on board

16 ½ x 12 inches (spandrel)

20th Century

Richard Hayley Lever (1876-1958)

The Breakwater, circa 1927-1929

signed Hayley Lever, lower right;

inscribed with title on the reverse;

inscribed Brittany, Douarnenez, France on an old label attached to the reverse

oil on canvasboard

16 x 20 inches

Oscar Bluemner (1867-1938)

Tars, Azlo “Flach” Soho Fat Mill, 1920

signed with monogrammed initials OFB, lower left;

dated Feb 20 –20 and inscribed with title on the reverse

watercolor on paper

3 7/8 x 5 inches

Walt Kuhn (1880-1949)
Study for “Roberto”
signed Walt Kuhn, dated 1946, and inscribed with title, lower right
brush and black ink and ink wash on paper
9 x 5 ¾ inches

Charles Sheeler (1883-1965)

Nice, 1909

Signed c.r. Sheeler and dated Nice, 1909, lower right

oil on panel

5 x 8 1/2 inches

Walter Stuempfig (1914-1970)

Float on the Schuylkill

oil on canvas

32 ½ x 40 inches

Maurice Brazil Prendergast (1859-1924)

St. Malo, circa 1907

signed Maurice Prendergast and dated 1909, lower left

watercolor and pencil on paper

14 x 14 inches

Robert Vickrey (b. 1926)

Chalk Wall, 1953

signed Robert Vickrey, lower left

egg tempera on masonite

46 x 26 inches

Alfred Henry Maurer (1868-1932)

Head of a Woman
signed A.H. Maurer, upper left

gouache on paper

24 x 17 ½ inches

Ben Shahn (1898-1969)

Senate Hearing, Lafollette and Thomas, 1937

signed Ben Shahn, upper right

watercolor and gouache on board

16 ¾ x 29 ½ inches

Ernest Lawson (1873-1939)

View Toward Morningside Heights, circa 1915

signed E. Lawson, lower right

oil on canvas

25 x 30 inches

Oscar Bluemner (1867-1938)

Red Building with Statue

watercolor and gouache on paper

5 1/16 x 6 7/8 inches

Earl Cunningham (1893-1977)

Goose Rock Beach Maine, circa 1960

signed Earl Cunningham, lower left

oil on masonite

19 ¾ x 35 ¾ inches

John Marin (1870-1953)

Region (Cocotte) on Bushkill Creek, Pennsylvania, 1916

signed Marin and dated 16, lower left

watercolor on paper

20 3/8 x 23 5/8 inches

Arthur Dove (1880-1946)

Cows in Pasture, circa 1935

watercolor on paper

4 ¾ x 6 ¾ inches

Marsden Hartley (1877-1943)

Fruit (Pears, New Mexico), 1919

signed M Hartley, lower right

pastel on paper

8 x 8 inches

Edward Henry Potthast (1857-1927)

Ferry Landing

signed E. Potthast, lower center

oil on canvas

24 x 30 inches

Henry Martin Gasser (1909-1981)

Schreibers Food Market, 1940

casein on paper laid down on board by the artist

21 1/2 x 26 inches

Ransome Holdredge (1836-1899)

Indian Encampment

signed R. C. Holdredge, lower left

oil on canvas

20 x 36 inches

Charles Demuth (1883-1935)

Three Red Apples: A double-sided watercolor, circa 1929

signed C. Demuth, lower right (recto)

watercolor and pencil on paper

10 x 14 inches

Frank Virgil Dudley (1868-1957)

Butterfly Weed

signed Frank Dudley, lower right

oil on canvas

27 x 30 inches

Under $20,000

Charles Caryl Coleman (1840-1928)

From Studio Window, Isola di Capri

signed with monogrammed initials CCC, dated 5.30 P.M.

Oct. 19^th, 1914, and inscribed with title, lower left

pastel on paper laid down on board

13 x 24 ¼ inches

Oscar Bluemner (1867-1938)
New York City, 170th Street, 1910
signed with monogrammed initials OFB, dated Feb 14-10 7A. W., and inscribed N.Y.C. 170 Str., lower right
watercolor and pencil on paper
5 ¼ x 8 inches