Robert Spear Dunning (1829-1905)
Still Life with Fruit
signed R.S. Dunning, lower right; signed again, dated 1901, and inscribed p- on the reverse
oil on canvas
13 ½ x 18 ½ inches

Daniel Ridgway Knight (1839-1924)
In the Garden
signed Ridgway Knight and inscribed Paris, lower right
oil on canvas
31 7/8 x 25 ¼ inches

George Inness (1825-1894)
Leeds, New York
signed G. Inness and dated 1864, lower right
oil on academy board
9 ¼ x 13 ¼ inches

George Inness (1825-1894)
Out of My Studio Door, Montclair, circa 1878-79
signed G. Inness, lower right
oil on canvas
14 ¼ x 12 ¼ inches

Walter MacEwen (1860-1943)
A Woman of the Empire, circa 1902
signed McEwen, lower left
oil on canvas
74 x 34 inches

Jervis McEntee (1828-1891)
Near Bolton, Lake George, 1863
inscribed with title on the reverse
oil on canvas
11 ¾ x 16 ¾ inches

Jervis McEntee (1828-1891)
Sunset
dated June 70, lower right
oil on canvas
8 x 11 ½ inches

George Washington Nicholson (1832-1912)
Winter Morning
signed GW Nicholson, lower left
oil on canvas
22 ¼ x 30 ¼ inches

William Trost Richards (1833-1905)
Conanicut, near Graycliff
signed Wm. T. Richards, lower left
oil on panel
8 5/8 x 16 3/8 inches

Elihu Vedder (1836-1923)
The Orient
signed Elihu Vedder and dated 1889, lower right
oil on canvas
12 ¼ x 20 1/8 inches

William Aiken Walker (1838-1921)
Cabin Scene
signed WAWalker, with conjoined initials, lower left; inscribed with title on the reverse
oil on board
9 3/8 x 11 7/8 inches

William Aiken Walker (1838-1921)
Cotton Field
signed WAWalker, with conjoined initials, lower left; inscribed with title on the reverse
oil on board
6 ½ x 12 ¾ inches

Milton Avery (1885-1965)
Sally
signed Milton Avery, lower right; signed again, dated 1930, and inscribed with title and 22 x 14 on the reverse
oil on canvas laid down on board
22 x 14 inches

Milton Avery (1885-1965)
White Wings, 1932
signed Milton Avery, lower right
gouache on buff paper
11 ½ x 17 3/16 inches

Oscar Edward Berninghaus (1874-1952)
Forest and Mountain Landscape, circa 1920
signed O.E. Berninghaus, lower right
oil on canvasboard
13 x 9 inches

Oscar Bluemner (1867-1938)
Red House – Madonna, circa 1933
inscribed Madonna, lower right; inscribed I paint nature – human nature on the reverse
watercolor, gouache and pencil on paper
4 x 3 1/8 inches (sheet)
3 5/8 x 2 5/8 inches (image)

Walter Emerson Baum (1884-1956)
Pennsylvania Mill, circa 1928
signed W. E. Baum, lower right
oil on canvas
32 x 40 ¼ inches

Charles Ephraim Burchfield (1893-1967)
Civic Improvement
signed with monogrammed initials CEB and dated 1927-28, lower right
watercolor, gouache, and pencil on paper laid down on board (by the artist)
27 x 36 inches

Charles Ephraim Burchfield (1893-1967)
The Turn in the Road
signed Chas Burchfield and dated 1918, lower right; dated June 2, 1918 on the reverse
watercolor, gouache, and pencil on paper
24 x 18 inches

Robert Henri (1865-1929)
Ann of Achill, 1913
signed Robert Henri, lower right; signed again, inscribed with title, and numbered 16-1 on the reverse
oil on canvas
24 1/8 x 20 1/16 inches

Doris Lee (1905-1983)
Apple Pickers, circa 1945
signed Doris Lee, lower right
oil on canvas
14 x 22 inches

George Benjamin Luks (1867-1933)
A Day at the Zoo, circa 1910-1915
signed George Luks, upper right
watercolor and pencil on paper
10 1/8 x 7 ¾ inches

Willard Leroy Metcalf (1858-1925)
Study for “The North Wind”
signed Metty, dated 1920, and inscribed To Tark-en souvenir, lower right;
signed with initials W.L.M. and inscribed Kennebunk Port Maine on the reverse
oil on board
7 ¼ x 9 ¼ inches

Eric Pape (1870-1938)
Autumn
signed Eric Pape and dated 1918, lower left; signed again and inscribed with title, pastel painting, and The Plains, Manchester-by-the Sea, Mass. on the reverse
pastel on prepared board
24 ¾ x 16 ¾ inches

Douglass Ewell Parshall (1899-1990)
Tropical Plants
signed Douglass Parshall, lower left; dated 1925, inscribed with title, 20"x 24" and #E5 on the reverse
oil on canvas
24 ¼ x 20 ¼ inches

Jane Peterson (1876-1965)
At the Foot of the Rialto Bridge, Venice
signed Jane Peterson, lower right
gouache on paper
17 5/8 x 17 ½ inches

Edward Henry Potthast (1857-1927)
Crashing Waves, 1923
signed E. Potthast, lower center
oil on canvasboard
8 x 10 inches

Edward Henry Potthast (1857-1927)
Rockaway Beach, circa 1910
signed E. Potthast, lower left; signed E H Potthast and inscribed with title on the reverse
oil on canvas
12 x 16 inches

Ben Shahn (1898-1969)
Sacco’s Family After the Verdict, circa 1931-32
signed Ben Shahn, lower right
gouache and pen and black ink on paper laid down on masonite
10 ¾ x 10 inches

Everett Shinn (1876-1953)
In the Boudoir
signed E. Shinn and dated 1901, lower right; signed again on the reverse
pastel on gray paper
11 1/8 x 15 ½ inches

Everett Shinn (1876-1953)
Madison Square Tower
signed E. Shinn and dated 1904, lower left
pastel and charcoal on board
19 1/8 x 23 ¾ inches

Walter Stuempfig (1914-1970)
Float on the Schuylkill
oil on canvas
32 ½ x 40 inches

Guy Carleton Wiggins (1883-1962)
Morning on the East River
signed Guy Wiggins, lower right; signed again, dated 1947, and inscribed with title on the reverse
oil on canvas
25 x 30 inches

Grant Wood (1892-1942)
Corn Shocks, circa 1927-28
oil on board
13 x 15 inches

American School (Mid-19th Century)
West Point
oil on canvas
18 x 24 inches

George Wesley Bellows (1882-1925)
Nude Figure, Seated, 1919
inscribed with signature Geo Bellows and J.B.B. on the reverse
conté crayon on card stock
9 x 6 ½ inches (sight)

Oscar Bluemner (1867-1938)
Study for “Jersey Silkmills, Paterson,” 1911
signed with monogrammed initials OFB and dated Paterson Je 21-11 5P, lower left
colored crayon on paper
7 1/8 x 11 ¼ inches

Aaron Bohrod (1907-1992)
Abandoned Coal Mine
signed Aaron Bohrod, lower left; inscribed with title on the reverse
gouache on paperboard
14 7/8 x 20 inches

Frederic Arthur Bridgman (1847-1928)
Nice, France
signed FA Bridgman, dated 1917, and inscribed Nice, lower right
oil on canvas
18 ¼ x 22 inches

Alson Skinner Clark (1876-1949)
Saint Andre des Arts, Paris, circa 1901-03
signed Alson S. Clark, lower left; inscribed with title on the reverse
oil on panel
10 ½ x 13 5/8 inches

Russell Cowles (1887-1979)
Still Life with Apples
signed Cowles, lower right
oil on canvas
14 x 24 inches

Arthur B. Davies (1862-1928)
Mountain Landscape, circa 1900
stamped artist’s stamp Arthur B. Davies, lower right; inscribed Marizo, center
pastel and pencil on blue paper
9 x 12 inches

Palmer Hayden (1890–1973)
Concarneau’s New Look, Le Roi du Jour
signed Palmer Hayden and dated 1960, lower right;
dated again and inscribed with the title on the reverse
watercolor on paper
10 7/8 x 14 7/8 inches

Reginald Marsh (1898-1954)
On the Path Homeward, Cuba, circa 1930s
watercolor and pencil on paper
14 x 20 inches

Michael Michaeledes (b. 1927)
Untitled
signed Michael Anthony Michaeledes, dated 1965, and inscribed London, 30” x 30,” and acrylic on canvas on the reverse
acrylic on canvas
30 x 30 inches

Michael Michaeledes (b. 1927)
Untitled
signed Michael Anthony Michaeledes, dated 1962, and inscribed London, 24” x 24,” and acrylic on canvas on the reverse
acrylic on canvas
24 x 24 inches

Francis Hopkinson Smith (1838-1915)
A Scene in the Country
signed F.H. Hopkinson Smith, lower left
watercolor and gouache on paper laid down on board
16 x 27 inches

Francis Hopkinson Smith (1838-1915)
Venice
signed F. Hopkinson Smith, lower right
watercolor and gouache on paper laid down on board
13 x 24 inches

William Henry Snyder (1829-1910)
Sunday Morning
signed W.H. Snyder and dated 86, lower left
oil on canvas
16 1/8 x 24 inches