John Sloan (1871-1951)
A Young Boy, circa 1896
oil on canvas
16 x 13 inches

Alfred Thompson Bricher (1837-1908)
Sunset Over the Coast
signed AT Bricher with initials in monogram, lower left
watercolor on paper
19 x 30 inches

Jane Stuart (1812-1888)
Interior Scene, Boston, circa 1835
oil on canvas
20 x 16 inches

William Trost Richards (1833-1905)
Conanicut, near Graycliff
signed Wm. T. Richards, lower left
oil on panel
8 5/8 x 16 3/8 inches

John Henry Twachtman (1853-1902)
Brook Among the Trees, circa 1890
pastel on paperboard
10 1/8 x 8 3/8 inches

Martin Johnson Heade (1819-1904)
Cluster of Roses in a Glass, circa 1885-1895
signed M.J. Heade, lower left
oil on canvas
24 x 15 inches

Jervis McEntee (1828-1891)
White Flowering Trees
signed with monogrammed initials JMcE, lower left; dated May 9. 80, lower right; numbered 68 on the reverse
oil on board
9 x 9 1/8 inches

Jervis McEntee (1828-1891)
Treetops, 1889
oil on canvas
4 1/2 x 7 3/4 inches

Frederick Childe Hassam (1859-1935)
Summer Afternoon, Appledore, mid-1890s
signed Childe Hassam, lower right
watercolor on paper
14 x 10 inches

Daniel Ridgway Knight (1839-1924)
In the Garden
signed Ridgway Knight and inscribed Paris, lower right
oil on canvas
31 7/8 x 25 ¼ inches

William Lamb Picknell (1853-1897)
Late Afternoon, Moret, circa 1894
signed Wm. L. Picknell, lower right
oil on canvas
35 ¾ x 29 ½ inches

Jervis McEntee (1828-1891)
Autumn Leaves
signed with monogrammed initials JME and dated 1874, lower left
oil on board
15 x 12 inches

Konrad Cramer (1888-1963)
Landscape with Many Houses and Still Life: A double-sided painting
recto, signed K. Cramer and dated 1921, lower right
verso, signed again and dated ’24, lower right
oil on panel
15 ½ x 19 ½ inches

George Benjamin Luks (1867-1933)
A Day at the Zoo, circa 1910-1915
signed George Luks, upper right
watercolor and pencil on paper
10 1/8 x 7 ¾ inches

Margarett W. Sargent (1892-1978)
After Dinner, Paris, circa 1930
signed Margarett, upper right and Sargent, lower right
oil on canvas
34 x 24 inches

Niles Spencer (1897-1952)
Providence, circa 1913-15
oil on canvasboard
9 x 12 inches

George Grosz (1893-1957)
New York
signed Grosz and dated 36, lower left
watercolor on paper
12 x 9 ½ inches

Palmer Hayden (1890–1973)
At the Beach
signed Palmer Hayden and dated 58, lower right
watercolor on paper
15 5/8 x 21 ¼ inches

Frederic Arthur Bridgman (1847-1928)
Nice, France
signed FA Bridgman, dated 1917, and inscribed Nice, lower right
oil on canvas
18 ¼ x 22 inches

Frederic Arthur Bridgman (1847-1928)
View of Nice
signed FA Bridgman and inscribed Nice, lower left
oil on canvas
18 x 21 ¾ inches

Mary Cassatt (1844-1926)
Baby Embracing Her Mother, circa 1898-1899
with counterproof signature, lower left
pastel counterproof

Palmer Hayden (1890 – 1973)
Michie Field, West Point, circa 1950-55
signed Palmer Hayden, lower left; signed again and inscribed with title on reverse
oil on canvas
24 x 34 inches

Arthur Bowen Davies (1862-1928)
Shining Oceansides, 1910
signed AB Davies, lower left
oil on canvas
24 ¾ x 19 ½ inches

Millard Sheets (1907-1989)
Oregon Landscape
signed Millard Sheets and dated 1976, lower right
watercolor on paper
22 x 30 inches

Hamilton Hamilton (1847-1928)
Springtime
signed Hamilton Hamilton NA, lower left
oil on canvas, laid down on board
26 x 38 1/8 inches

Charles Ephraim Burchfield (1893-1967)
March Day, Gowanda
signed with monogrammed initials CEB and dated 1926-33, lower right
watercolor, gouache, pastel, and charcoal on pieced buff paper
26 x 35 ½ inches

Charles Ephraim Burchfield (1893-1967)
Sparrow Hawk Weather
signed with monogrammed initials CEB and dated (1960) 1965, lower right
watercolor and charcoal on pieced paper
44 x 54 inches

Jane Peterson (1876-1965)
At the Foot of the Rialto Bridge, Venice
signed Jane Peterson, lower right
gouache on paper
17 5/8 x 17 ½ inches

Ivan G. Olinsky (1878-1962)
Young Woman Reading
signed Ivan G. Olinsky, upper left
oil on canvas
24 x 25 inches

Norman Rockwell (1894-1978)
Fishes Like Neckties, 1934
oil on canvas
31 ¼ x 29 ¾ inches

Jack Levine (1915-2010)
Man with Cigar, 1970
signed Jack Levine, lower left
oil on canvas
40 x 36 ½ inches

Oscar Bluemner (1867-1938)
Scandal in the Village, 1919
signed with monogrammed initials OFB, lower left;
inscribed with title and dated Soho Mar 12-19 6 P M, lower margin
watercolor and gouache on paper
4 ¾ x 6 1/8 inches

Doris Lee (1905-1983)
Apple Pickers, circa 1945
signed Doris Lee, lower right
oil on canvas
14 x 22 inches

Walter Stuempfig (1914-1970)
Float on the Schuylkill
oil on canvas
32 ½ x 40 inches

Wilson Irvine (1869-1936)
Gloucester Scene
signed Irvine, lower left
oil on canvas
24 1/2 x 18 1/4 inches

Alfred Henry Maurer (1868-1932)

Head of a Woman
signed A.H. Maurer, upper left

gouache on paper

24 x 17 ½ inches

Ben Shahn (1898-1969)

Senate Hearing, Lafollette and Thomas, 1937

signed Ben Shahn, upper right

watercolor and gouache on board

16 ¾ x 29 ½ inches

Charles Demuth (1883-1935)

Three Red Apples: A double-sided watercolor, circa 1929

signed C. Demuth, lower right (recto)

watercolor and pencil on paper

10 x 14 inches

Ynez Johnston (b. 1920)
The Harbor
signed Ynez Johnston and dated 1985 on reverse
mixed media, raw silk on canvas
24 x 18 inches

Palmer Hayden (1890–1973)
Boats at the Dock
signed Palmer Hayden, lower left
oil on canvas
20 1/8 x 26 inches

Palmer Hayden (1890–1973)
Fish House
signed Palmer Hayden and dated 60¸ lower right;
dated again and inscribed Concarneau’s New Look, Fish House, and #5 on the reverse
watercolor on paper
11 x 14 ¾ inches

Walter Granville Smith (1870 - 1938)
Woman by a Window
signed W Granville Smith and dated 1901, lower left
oil on canvas
16 x 12 ¼ inches

Stanton MacDonald-Wright (1890-1973)
La Danse
signed with initials SMW, dated Firenze 1969 and inscribed with title, lower left
pencil on paper
11 x 8 inches (sheet)

Francis Hopkinson Smith (1838-1915)
A Scene in the Country
signed F.H. Hopkinson Smith, lower left
watercolor and gouache on paper laid down on board
16 x 27 inches

Oscar Bluemner (1867-1938)
Study for “Jersey Silkmills, Paterson,” 1911
signed with monogrammed initials OFB and dated Paterson Je 21-11 5P, lower left
colored crayon on paper
7 1/8 x 11 ¼ inches

Arthur Clifton Goodwin (1864-1929)
Farmhouse in the Woods, circa 1923
signed A. C. Goodwin, lower left
pastel on board
18 ¼ x 22 ½ inches (sight)

Reginald Marsh (1898-1954)
Beach Scene, Cuba, circa 1930s
watercolor and pencil on paper
14 x 20 inches