March 3 - April 25, 2014
Leon Kroll (1884-1974), Spring Romance, circa 1930, oil on canvas, 36 1/2 x 48 inches
Selections on view include works by Milton Avery, Harry Bertoia, Oscar Bluemner, Charles Burchfield, Clarence Holbrook Carter, Stuart Davis, Charles Demuth, Edwin Dickinson, Jimmy Ernst, Philip Evergood, Walter Gay, George Grosz, Robert Gwathmey, Grace Hartigan, Marsden Hartley, Edward Hopper, Leon Kroll, Stanton MacDonald-Wright, Alfred Maurer, Alice Neel, BJO Nordfeldt, Guy Pene du Bois, Charles Prendergast, Granville Redmond, Everett Shinn, Francis Augustus Silva, Max Weber, Guy Carleton Wiggins, Marguerite Zorach, and William Zorach.
Private Goes Public: Selections from the Private Art Dealers Association
November 1- 16, 2013
Mary Cassatt (1844-1926), Young Woman Wearing a Small Winged Hat Holding a Cat
Circa 1914, pastel on paper, 25 5/8 x 21 1/4 inches
The PRIVATE ART DEALERS ASSOCIATION (www.pada.net) -- the first trade association to represent private art dealers -- is celebrating its 25th Anniversary with its first-ever public exhibition, “PRIVATE GOES PUBLIC,” Nov 1 – Nov 16, 2013. Over thirty members of the 50-member strong PADA organization will exhibit a full range of fine art from the 17th to the 21st centuries at 13 East 69th Street, where galleries of three PADA members are located. European and American paintings, drawings, prints, photographs and sculpture will be offered by PADA members participating in PRIVATE GOES PUBLIC and all the artworks on view will be available for sale. An illustrated catalog will provide details on each of the dealers exhibiting at this show and is also available here.
Hayward Oubre: Difficult to Impossible
February 4-April 5, 2013
Proud Rooster, c. 1956, painted wire, 21 1/4 inches high
Hayward Oubre (1916-2006), known primarily as a sculptor, was also a painter, printmaker, and influential teacher. A native of New Orleans, he graduated from Dillard University, studied with the Harlem Renaissance painter Hale Woodruff, and earned a Masters of Fine Art degree from the University of Iowa, the third African-American to do so.
Featured in this exhibition are the artist’s signature wire sculptures of figural, biomorphic, and whimsical themes. They are made of ordinary clothes hangers, which Oubre shaped totally by hand, manipulating the wire with his own strength to create a more textural surface. In execution, the interwoven outlines of each piece are feats of balance, light, and minimalism.
Oubre’s work was regularly exhibited throughout his career, at historically black colleges and at annuals at Atlanta University (1946-1969). This exhibition is the artist’s first retrospective, shown first at the Greenville County Museum of Art in South Carolina and in New York, at Debra Force Fine Art.
Inspiration Abroad: American Artists in France & Italy
October 1-November 9, 2012
Guy Pène du Bois, Lady in a Cloak, 1927
Although American artists began making the “Grand Tour” in the mid-19th Century, it was during the next fifty years (1875-1925), that artists visited Europe, mainly France and Italy, in droves. The lure of each country was unique. France gave young Americans the opportunity to study with the French Masters, experience the atelier system, and to exhibit at the Salons. Italy offered artists something freer, an opportunity to work outside the constraints of juried exhibitions and artists’ associations, to explore the ruin-filled countryside and contemplate the area’s ancient history and regional cultures.
Selections include works by Frederic Arthur Bridgman, Mary Cassatt, Alson Skinner Clark, Jasper Francis Cropsey, Frederick Carl Frieseke, Walter Gay, Robert Henri, Daniel Ridgway Knight, Walter MacEwen, Guy Pène du Bois, William Lamb Picknell, Maurice Brazil Prendergast, and John Singer Sargent.
Ethnos/Techne: Theodoros Stamos and Michael Michaeledes
February 2 – March 23, 2012
This exhibition examines the relationship between Theodoros Stamos (1922-1997) and Michael Michaeledes (b. 1927), contemporaries who shared artistic ideologies and inspiration that each uniquely translated to canvas. Spanning the time period between the late 1940s and early 1980s, Ethnos/Techne explores each artist’s direct response to nature and light, transition to a mature style, and shared heritage. In the 1950s, Michaeledes produced intensely saturated washes of pure color, before moving to a sleek, reductive style that was based on geometric formations; Stamos’ work evolved from biomorphic canvases to classic Abstract Expressionism.
Catalogue available. For more information, please contact Debra Force or Helena Grubesic at 212-734-3636 or email@example.com.
Michael Michaeledes, Blue Variations, 1967 Theodoros Stamos, Infinity Field, Jerusalem Series, 1983