John White Alexander (1856-1915)
Her Birthday, 1913
oil on canvas
79 ¼ x 64 ½ in.
Milton Avery (1885-1965)
Child in Water, circa 1938
oil on canvas board
23 1/4 x 17 1/4 in.
Milton Avery (1885-1965)
Dizzy Dame, 1963
oil on canvas board
16 x 12 in.
Richmond Barthé (1901-1989)
Inner Music, circa 1956
bronze on marble base
23 ¾ x 8 ½ x 10 in.
Romare Bearden (1911–1988)
The Open Door, circa 1979
collage with paper, oil, gouache, and pencil on paperboard
8 ⅜ x 6 ¼ in.
Thomas Hart Benton (1889-1975)
Study for ‘Pool in the Woods,’ circa 1944
oil en grisaille on masonite
10 x 8 ¼ in.
Harry Bertoia (1915- 1978)
Cattail Sonambient, mid -1970s
bronze and beryllium copper on brass base
34 x 8 x 8 in.
Oscar Bluemner (1867-1938)
Harlem River, 1911
watercolor on paper
4 7/8 x 7 3/8 inches
Oscar Bluemner (1867-1938)
The Plane Canal, N. Bloomfield, 1921
watercolor, pastel, and charcoal on paper
6 ¾ x 4 ¼ in.
Peter Blume (1906-1992)
Flowering Stump, 1945-1968
oil on canvas
20 ¼ x 24 in.
Hugh Henry Breckenridge (1870-1937)
The Lake, 1916
oil on canvas
37 3/16 x 43 3/8 inches
William Merritt Chase (1849-1916)
The Church of the Puritans, circa 1887
oil on panel
10 ¼ x 16 in.
William Merritt Chase (1849-1916)
Shinnecock Landscape, circa 1895
oil on panel
11 7/8 x 18 3/8 in.
Arthur B. Davies (1862-1928)
On the Balcony
oil on canvas
16 1/8 x 11 1/8 in.
Charles Demuth (1883-1935)
Gladioli, circa 1925
watercolor and pencil on paper
17 ⅞ x 11 ⅞ in.
William Hunt Diederich (1884-1953)
Rooster Floor Lamp, circa 1923
wrought iron with polychrome, new mica shade, and period-appropriate new wiring
60 ¼ x 23 ¾ x 16 ½ in.
Werner Drewes (1899-1985)
Japanese Memories, 1946
pastel and pencil on paper
10 x 7 ¾ in.
Elizabeth R. Finley (1875-1955)
Woman in Green Kimono, circa 1900
oil on panel
18 1/8 x 12 ¾ in.
William James Glackens (1870-1938)
Garden at Hartford, circa 1918
oil on canvas
26 x 32 inches
Robert Gwathmey (1903-1988)
Two Tables with Fruit, 1975
oil on canvas
36 1/8 x 30 ¼ in.
Albert Herter (1871-1950)
The Gift of Roses, circa 1899
watercolor and pencil on paperboard
35 ¾ x 20 in.
Abraham Leon Kroll (1884 – 1974)
May on the Cape, circa 1940
oil on canvas
27 x 36 3/8 in.
Herman Maril (1908-1986)
Maine Coast, 1962
gouache on paper
14 x 11 inches
Herman Maril (1908-1986)
Sea and Pink Sky, 1984
oil on canvas
30 x 40 ⅛ in.
John Marin (1870-1953)
Flowers and Pot, 1911
watercolor on paper laid down on board
16 ¾ x 13 15/16 in.
John Marin (1870-1953)
From Brooklyn Bridge, 1913
watercolor and pencil on paper
15 ⅝ x 18 ¾ in.
John Marin (1870-1953)
Sea Piece, Small Point, Maine Series #19, 1928
watercolor on paper
14 7/8 x 19 ¼ in.
George L. K. Morris (1905-1975)
Abstraction with Mauve and Green, 1949
gouache and pencil on paper
8 ¼ x 10 5/8 in.
William McGregor Paxton (1869-1941)
The Afternoon Mail, 1907
oil on canvas
27 ¼ x 22 ⅛ in.
Charles Sprague Pearce (1851-1914)
Woman in White Dress and Straw Hat, circa 1880
oil on cradled panel
14 ¾ x 11 ⅜ in.
Jane Peterson (1876-1965)
Tiffany's Gardens at Laurelton Hall, circa 1911
oil on canvas
40 x 30 in.
Grace Ravlin (1873-1956)
Indian Dance, Laguna Pueblo, circa 1917
oil on canvas
28 3/8 x 36 in.
George Rickey (1907 – 2002)
Two Open Rectangles Staggered, 1994 – 1995
steel
41 ½ x 24 in.
John Singer Sargent (1856-1925)
The Old Wharf, Ironbound, 1922
watercolor and pencil on paper
15 ¾ x 20 ¾ in.
Hazel Burnham Slaughter (1888-1979)
Store Window, 1940
oil on canvas on plywood
26 x 19 ½ in.
James Allen St. John (1872-1957)
Old Faithful, circa 1886-1896
oil on canvas
28 x 15 7/8 in.
John Henry Twachtman (1853-1902)
Canal, Venice, circa 1878
oil on canvas
10 ¼ x 16 ⅛ in.
Abraham Walkowitz (1880-1965)
New York City #4, 1911
graphite on paper
14 ⅞ x 9 13/16 in.
Mary Josephine Walters (1837-1883)
Mountain Stream,1869
oil on canvas
22 x 34 in.
Max Weber (1881-1961)
Primitive Head, 1917
oil on board
8 3/8 x 5 3/8 in
Julian Alden Weir (1852-1919)
The Dutch Shoe, 1890
oil on panel
21 x 15 in.
Grant Wood (1892-1942)
Spring Plowing (Textile Design), circa 1939
tempera and pencil on paper
15 1/2 x 37 3/4 in.
Grant Wood (1892-1942)
Study for ‘Dinner for Threshers’, 1934
charcoal, pencil, and chalk on brown paper laid down on board
18 x 71 in.
Andrew Wyeth (1917-2009)
In the Doorway, 1984
watercolor and pencil on paper
23 ¾ x 18 ¾ in.
© Pacific Sun Trading Company
